CAT (VARC) PYQs

The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage.

There's a common idea that museum artworks are somehow timeless objects available to admire for generations to come. But many are objects of decay. Even the most venerable Old Master paintings don't escape: pigments discolour, varnishes crack, canvases warp. This challenging fact of art world life is down to something that sounds more like a thread from a morality tale: inherent vice. Damien Hirst's iconic shark floating in a tank entitled The Physical Impossibility of Death in the Mind of Someone Living is a work that put a spotlight on inherent vice. When he made it in 1991, Hirst got himself in a pickle by not using the right kind of pickle to preserve the giant fish. The result was that the shark began to decompose quite quickly its preserving liquid clouding, the skin wrinkling, and an unpleasant smell wafting from the tank.

The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage.

Recent important scientific findings have emerged from crossing the boundaries of scientific fields. They stem from physicists collaborating with biologists, sociologists and others, to answer questions about our world. But physicists and their potential collaborators often find their cultures out of sync. For one, physicists often discard a lot of information while extracting broad patterns; for other scientists, information is not readily disposed. Further, many non-physicists are uncomfortable with mathematical models. Still, the desire to work on something new and different is real, and there are clear benefits from the collision of views.

The passage given below is followed by four summaries. Choose the option that best captures the essence of the passage.

The return to the tailor is the juxtaposition of three key things for the mindful Indian shopper. The first is the conscious shift away from the homogeneity of fast fashion, the idea of a hundred other people owning exactly the same Zara trench coat or H&M pleated skirt. The second is an actual understanding of the waste behind the fast fashion market, and wanting not to contribute to that anymore. The last is the shift toward customisation and fit—the idea of having imaginations brought to life and to have them fit exactly; without paying exorbitant rates for that bespoke tailoring. For the individual with a keen fashion sense and a genuine desire to move away from the waste and uniformity of fast fashion without paying the premium for it that indie brands would invariably demand, the tailor is the perfect crossover.